I feel like good disability fiction is on the rise lately with the likes of A Silent Voice becoming so popular and now I Hear the Sunspot is being talked about as both a great story about someone with a disability but also a great boys love manga. I’ve seen it mentioned so many times around the web and pop up on a lot of people’s must read mangas of 2018, and I have to say this manga definitely deserves all the praise that has been heaped upon it. Yuki Fumino really delves deep into what it means be a person with a hearing disability that not bad enough to be considered part of the deaf community but also not insignificant enough to be considered a “normal” person. The boys love aspects appear as more of an afterthought as the characters traverse societal rules around conformity and the almost infantilization of people with disabilities.
The publisher, One Peace Books, describes I Hear the Sunspot’s story as: “Because of a hearing disability, Kohei is often misunderstood by others and has trouble integrating into life on campus so he learns to keep his distance. That is until he meets the outspoken and cheerful Taichi. He tells Kohei that his hearing loss is not his fault. Taichi’s words cut through Kohei’s usual defense mechanisms like a knife and opens his heart. More than friends, less than lovers, their relationship changes Kohei forever.
I want to preface this review by saying that his is book one of the original two part series, but the volume itself does not mention what book it is. I had a lot of trouble figuring out what book to buy first since there is this one, book two, and then volume one of the multi-part series as well. So if you are looking to buy the series, start with the book with the green cover, then book two, then volume one of the series. I’ll be reviewing each one in order, so feel free to follow along with me as well. Continue reading
I can’t help but feel that if I was to revise my top 5 manga list of all time, Wotakoi would fall at number two on the list. I’ve talked at length before in my previous Manga vs Anime post about my love of this series, and I figured I should start where I (and the anime) left off, with volume three of the North American version which includes volumes five and six of the manga. I honestly can’t not talk about it at this point, it’s just too much of a comfy and feel-good series to not gush about. Fujita’s art is fantastic and the story is a great mix of short comedic chapters and longer, split up serious narratives. I found myself enjoying this volume just as much, if not more than the other two. Partly because we get to see some great love stories this time around and also partly for the great character development.
The back copy of this volume describes its story as “summer romance for nerds.” In this volume we see Hirotaka and Narumi battling the rumor mill to keep their relationship a secret from their coworkers, but of course it gets a little out of hand. We see Naoya’s continuing story of his grave misunderstanding about Ko and how he tries to save their relationship. But summer romance is not complete without a hotspring and festival chapter, and you definitely won’t be disappointed on that front with this volume. In terms of otaku goodness though, we also get to see Narumi’s first try at cosplaying. Continue reading
What is it about watching romantic comedies about older women failing at love that keep us coming back? Is it because watching them fail makes us feel better about our own lives? Or is it just oddly entertaining to watch people make mistakes and ruin their own lives? I’m not entirely sure why, but all I know right now is that I am still hooked on the story of Tokyo Tarareba Girls. I mentioned in the volume 2 review that the themes and story of this series are fairly relatable, dealing with how the arbitrary 30-year-old milestone makes women think they’re failures if they’re not married and successful by then. Volume 3 continues these themes and shows us more how forcing yourself to be happy can lead to disastrous outcomes. All of this is wrapped up in some awesome art by Princess Jellyfish creator Akiko Higashimura.
Volume 3 picks up where the last volume left us, with Kaori and Koyuki still continuing their relationships with a married man and an ex-boyfriend while Rinko still feels lost after being dropped from a writing gig. When a gig finally comes Rinko’s way however, she finds she may not be young enough or in-the-loop enough to handle a story geared towards a younger audience. After Rinko loses the gig due to none other than Key’s meddling again, both Kaori and Koyuki begin questioning why they’re still in these relationships as new information about both of their men surfaces. Continue reading
This anime has to be one of the most talked about of last season, and for good reason. This is another contender for top show of the Winter season for me as it is just all-around a great series in terms of animation, story, and characters. Bunny Girl Senpai has an interesting mix of romance, magical realism, and drama with a touch of wit to really keep you hooked for the long-haul. It’s the type of show that I can see sparking so many discussions about the nature of human psychology and how we cope with society and stress. I’ve already seen quite a few interesting discussions on its subject matter not to mention its catchy opening. I highly encourage anyone who has been wavering about watching the show especially due to its title, to really give it a chance.
The story follows Sakuta Azusagawa whose life takes a weird turn when he meets the actress Mai Sakurajima in the library dressed in a bunny girl costume with seemingly no one noticing she’s there. Mai is intrigues that he seems to be the only one who can see her, and as Sakuta begins to speak with her more, he discovers that more people are slowly losing their ability to see her as well. Sakuta calls this “adolescence syndrome” or “puberty syndrome” and works to help her solve this mystery as well as those of other girls he meets along the way. Continue reading
It’s rare that I come across a show that really hits me hard, but I seem to be stumbling on those more and more this past year. Maybe it’s true what all the anime bloggers and youtubers are saying, that 2018 was one of the best if not the best year of anime to date. We had some really hard-hitting series this year, from Violet Evergarden to Banana Fish to name a few. I’d like to make the case that Iroduku should fall into this list too, and not just because it got me to cry like a baby. Studio PA Works did an amazing job on the animation, character designs, music, and backgrounds. I thoroughly enjoyed my time with this series and I absolutely loved how this story weaved magical realism, time travel, and regular high school romance into something truly engaging.
Iroduku: the World in Colors follows a girl names Hitomi who lives in the year 2078 and comes from a family of witches. From early childhood, Hitomi has not been able to see color and has lost all passion or love for magic. In an effort to help her granddaughter be happy again, Kohaku sends Hitomi 60 years into the past to meet her teenage self. Back in 2018, Hitomi winds up joining the Photography and Arts Club and focuses on learning how to take black and white photos. It’s here that she meets Yuito, the only person she’s met whose drawing appear in color for her. Continue reading
What is it about Wotakoi: Love is Hard for Otaku that keeps drawing me back? So far I’ve probably watched the anime about three times now all the way through. I’ve also picked up all three US volumes (6 Japanese volumes) of the manga and have read through all of those at least twice. I’ve reviewed the anime before on this blog, and I stick by my assessment that it’s a genuinely great series about nerdy people falling in love. It’s an anime I think we really needed with its energy, comedy, and healthy older relationships. So after the anime ended I felt the need to pick up the manga and see what other content there was, and I have to say that the anime is a fairly faithful adaptation with some minor changes to pacing and story. Like a lot of other adaptations, there are advantages to each medium whether it be animation or comics, and I find myself enjoying both the anime and the manga almost equally. However, there are a few notable differences between the two that I’d like to touch on more below. Continue reading
The Delinquent Housewife was something I picked up on a whim when I was out picking up some manga that had just come out. It was new, so far there is only one volume published in the US, and the artwork seemed interesting enough, so I thought why not. I had a feeling that the content might not be that great since from the title and the back-cover copy, the story was going to follow a woman learning how to become a housewife, but I was willing to try considering it seemed perfect for the blog. In some ways I was right, and in other ways I found myself strangely enjoying this manga. Nemu Yoko has a great art style that gives the manga a great feel with some traditional shoujo styling and some great work on expressions. The story itself uses some traditional and semi-annoying plot devices and character tropes, but looking at it through the lens of comedy, I did find myself enjoying it as like a fluffy, sit-com read.
The story follows ex-biker gang member Komugi and her husband-to-be Tohru Komukai who have just decided to move back in with his family until they can look for a place of their own. Or that was the plan until Tohru gets called away on a business trip overseas, leaving Komugi stranded at her in-laws place. While Komugi appears to be an ideal housewife, the real truth is that she can’t do anything without Tohru. She doesn’t know how to do her own laundry, fry an egg, or do any sort of housework. The only person to catch on to both her secret past as a biker gang member and her inability to perform housework is her brother-in-law Dai. But it won’t be long until the rest of the family finds out, so Tohru enlists Dai and her biker gang buddies’ help to learn how to be a housewife before that time comes. Continue reading
I’m approaching 30 and am two years out from getting married, so it’s safe to say that I’m not really the target audience for Tokyo Tarareba Girls, but I do feel like I know enough people like the women in this manga to feel a connection to their story. They’re thirty year old women who have been told over and over again by society that they might as well be washed-up has-beens if they’re not married and living comfortably by now. This manga is simultaneously a depressing and entertaining look at how society–Japanese society in particular–enforces ideals of marriage, success, and love on women throughout their lives while setting an arbitrary cut-off date for these things at 30 years old. Akiko Higashimura continues to use a sharp sense of wit, a dynamic art style, and a keen understanding of society to create a truly entertaining manga for thirty-somethings and those of us approaching that arbitrary milestone age.
Volume two of Tokyo Tarareba Girls picks up right where volume one left off, with the fallout over Rinko drunkenly sleeping with the famous model Key. After finding herself alone the morning after, Rinko heads back home by herself feeling like it’s becoming ever more apparent she’s going to be alone for the rest of her life. Meanwhile, her friends Kaori and Koyuki are feeling like they’ve found a small bit of bliss while hooking up with a married man and an unavailable ex-boyfriend respectively. However, even these two begin to see that sex isn’t everything and the same old “what-if’s” begin to pop up again as they all have to face up against younger and fitter women. Continue reading
A couple months ago I posted on Twitter asking for opinions on what manga I should buy if I could only buy one volume, and this manga, Water Dragon’s Bride, was one of the suggestions I got. I’ve been trying to branch out from some of the longer running series I’ve been reading, trying out new stories and manga that look interesting, so I figured why not give this one a shot. I honestly wasn’t sure what my opinion of the story might be going in, but I was a little worried that I probably wouldn’t like this one or that it would have some problematic age-related romance in it that I usually steer clear of. And in some ways this manga surprised me, but in others it also confused me. I can see the appeal of the story and what the mangaka might have been going for in this first volume, but in all honesty, I’m not sure this manga is for me.
The Water Dragon’s Bride is a shoujo manga created by mangaka Rei Toma who has also created Dawn of Arcana. It’s a story about a young girl who is completely spoiled by her parents that gets transported to another world through a small pond in her backyard. The girl, Asahi, has no idea where she is and everything and everyone in this world is so strange and old-fashioned, totally different from the bustle of modern Tokyo she just left. She soon meets a young boy named Subaru who offers to shelter her while they look for a way to get her back to her parents. But Asahi’s strange clothes and way of speaking scare the other members of his village, and they begin to think that maybe she would be a suitable sacrifice to the god that lives in the lake. Continue reading
Kakuriyo hits a lot of the key points for me in terms of a series that I know I’m going to be interested in long-term. It has a focus on youkai, and as you probably know by now, I will forever be drawn to series that use concepts of mythology and the supernatural. But it keeps going further, by blending this youkai base with concepts of cooking and romance. In essence, it becomes its own weird isekai/cooking genre, with similarities to say Restaurant to Another World where the main character is forced to cook for youkai and other interesting characters with the romance integrated into the main plotline but not overshadowing it. I have to say at the end of watching the last cour, I do find myself liking the series as a whole and might pursue looking into the manga since the volumes are just starting to publish here in the US. However, I do have certain problems with the series, but those mainly focus on the quality of animation.
The second cour of Kakuriyo picks right up where the first cour ended, and while I only went up to episode 12 in the last review, I would say the second cour starts around episode 14. It’s within these first couple episodes that we see the beginning of the second major story arc with the arrival of the head of the competing Southern inn Orio-ya, Ranmaru. We met some of the employees of this inn before in the last cour, but it is here that it is revealed that Ginji’s status as a Tenjin-ya employee is only temporary, and he called back to Orio-ya to complete a special “ceremony”. In an effort to prevent this from happening and convince him to come back, Aoi threatens Ranmaru and Ougon-douji and is promptly kidnapped and taken with them to Orio-ya where her struggles begin anew. Continue reading