This anime has to be one of the most talked about of last season, and for good reason. This is another contender for top show of the Winter season for me as it is just all-around a great series in terms of animation, story, and characters. Bunny Girl Senpai has an interesting mix of romance, magical realism, and drama with a touch of wit to really keep you hooked for the long-haul. It’s the type of show that I can see sparking so many discussions about the nature of human psychology and how we cope with society and stress. I’ve already seen quite a few interesting discussions on its subject matter not to mention its catchy opening. I highly encourage anyone who has been wavering about watching the show especially due to its title, to really give it a chance.
The story follows Sakuta Azusagawa whose life takes a weird turn when he meets the actress Mai Sakurajima in the library dressed in a bunny girl costume with seemingly no one noticing she’s there. Mai is intrigues that he seems to be the only one who can see her, and as Sakuta begins to speak with her more, he discovers that more people are slowly losing their ability to see her as well. Sakuta calls this “adolescence syndrome” or “puberty syndrome” and works to help her solve this mystery as well as those of other girls he meets along the way. Continue reading
It’s rare that I come across a show that really hits me hard, but I seem to be stumbling on those more and more this past year. Maybe it’s true what all the anime bloggers and youtubers are saying, that 2018 was one of the best if not the best year of anime to date. We had some really hard-hitting series this year, from Violet Evergarden to Banana Fish to name a few. I’d like to make the case that Iroduku should fall into this list too, and not just because it got me to cry like a baby. Studio PA Works did an amazing job on the animation, character designs, music, and backgrounds. I thoroughly enjoyed my time with this series and I absolutely loved how this story weaved magical realism, time travel, and regular high school romance into something truly engaging.
Iroduku: the World in Colors follows a girl names Hitomi who lives in the year 2078 and comes from a family of witches. From early childhood, Hitomi has not been able to see color and has lost all passion or love for magic. In an effort to help her granddaughter be happy again, Kohaku sends Hitomi 60 years into the past to meet her teenage self. Back in 2018, Hitomi winds up joining the Photography and Arts Club and focuses on learning how to take black and white photos. It’s here that she meets Yuito, the only person she’s met whose drawing appear in color for her. Continue reading
What is it about Wotakoi: Love is Hard for Otaku that keeps drawing me back? So far I’ve probably watched the anime about three times now all the way through. I’ve also picked up all three US volumes (6 Japanese volumes) of the manga and have read through all of those at least twice. I’ve reviewed the anime before on this blog, and I stick by my assessment that it’s a genuinely great series about nerdy people falling in love. It’s an anime I think we really needed with its energy, comedy, and healthy older relationships. So after the anime ended I felt the need to pick up the manga and see what other content there was, and I have to say that the anime is a fairly faithful adaptation with some minor changes to pacing and story. Like a lot of other adaptations, there are advantages to each medium whether it be animation or comics, and I find myself enjoying both the anime and the manga almost equally. However, there are a few notable differences between the two that I’d like to touch on more below. Continue reading
The Delinquent Housewife was something I picked up on a whim when I was out picking up some manga that had just come out. It was new, so far there is only one volume published in the US, and the artwork seemed interesting enough, so I thought why not. I had a feeling that the content might not be that great since from the title and the back-cover copy, the story was going to follow a woman learning how to become a housewife, but I was willing to try considering it seemed perfect for the blog. In some ways I was right, and in other ways I found myself strangely enjoying this manga. Nemu Yoko has a great art style that gives the manga a great feel with some traditional shoujo styling and some great work on expressions. The story itself uses some traditional and semi-annoying plot devices and character tropes, but looking at it through the lens of comedy, I did find myself enjoying it as like a fluffy, sit-com read.
The story follows ex-biker gang member Komugi and her husband-to-be Tohru Komukai who have just decided to move back in with his family until they can look for a place of their own. Or that was the plan until Tohru gets called away on a business trip overseas, leaving Komugi stranded at her in-laws place. While Komugi appears to be an ideal housewife, the real truth is that she can’t do anything without Tohru. She doesn’t know how to do her own laundry, fry an egg, or do any sort of housework. The only person to catch on to both her secret past as a biker gang member and her inability to perform housework is her brother-in-law Dai. But it won’t be long until the rest of the family finds out, so Tohru enlists Dai and her biker gang buddies’ help to learn how to be a housewife before that time comes. Continue reading
I’m approaching 30 and am two years out from getting married, so it’s safe to say that I’m not really the target audience for Tokyo Tarareba Girls, but I do feel like I know enough people like the women in this manga to feel a connection to their story. They’re thirty year old women who have been told over and over again by society that they might as well be washed-up has-beens if they’re not married and living comfortably by now. This manga is simultaneously a depressing and entertaining look at how society–Japanese society in particular–enforces ideals of marriage, success, and love on women throughout their lives while setting an arbitrary cut-off date for these things at 30 years old. Akiko Higashimura continues to use a sharp sense of wit, a dynamic art style, and a keen understanding of society to create a truly entertaining manga for thirty-somethings and those of us approaching that arbitrary milestone age.
Volume two of Tokyo Tarareba Girls picks up right where volume one left off, with the fallout over Rinko drunkenly sleeping with the famous model Key. After finding herself alone the morning after, Rinko heads back home by herself feeling like it’s becoming ever more apparent she’s going to be alone for the rest of her life. Meanwhile, her friends Kaori and Koyuki are feeling like they’ve found a small bit of bliss while hooking up with a married man and an unavailable ex-boyfriend respectively. However, even these two begin to see that sex isn’t everything and the same old “what-if’s” begin to pop up again as they all have to face up against younger and fitter women. Continue reading
A couple months ago I posted on Twitter asking for opinions on what manga I should buy if I could only buy one volume, and this manga, Water Dragon’s Bride, was one of the suggestions I got. I’ve been trying to branch out from some of the longer running series I’ve been reading, trying out new stories and manga that look interesting, so I figured why not give this one a shot. I honestly wasn’t sure what my opinion of the story might be going in, but I was a little worried that I probably wouldn’t like this one or that it would have some problematic age-related romance in it that I usually steer clear of. And in some ways this manga surprised me, but in others it also confused me. I can see the appeal of the story and what the mangaka might have been going for in this first volume, but in all honesty, I’m not sure this manga is for me.
The Water Dragon’s Bride is a shoujo manga created by mangaka Rei Toma who has also created Dawn of Arcana. It’s a story about a young girl who is completely spoiled by her parents that gets transported to another world through a small pond in her backyard. The girl, Asahi, has no idea where she is and everything and everyone in this world is so strange and old-fashioned, totally different from the bustle of modern Tokyo she just left. She soon meets a young boy named Subaru who offers to shelter her while they look for a way to get her back to her parents. But Asahi’s strange clothes and way of speaking scare the other members of his village, and they begin to think that maybe she would be a suitable sacrifice to the god that lives in the lake. Continue reading
Kakuriyo hits a lot of the key points for me in terms of a series that I know I’m going to be interested in long-term. It has a focus on youkai, and as you probably know by now, I will forever be drawn to series that use concepts of mythology and the supernatural. But it keeps going further, by blending this youkai base with concepts of cooking and romance. In essence, it becomes its own weird isekai/cooking genre, with similarities to say Restaurant to Another World where the main character is forced to cook for youkai and other interesting characters with the romance integrated into the main plotline but not overshadowing it. I have to say at the end of watching the last cour, I do find myself liking the series as a whole and might pursue looking into the manga since the volumes are just starting to publish here in the US. However, I do have certain problems with the series, but those mainly focus on the quality of animation.
The second cour of Kakuriyo picks right up where the first cour ended, and while I only went up to episode 12 in the last review, I would say the second cour starts around episode 14. It’s within these first couple episodes that we see the beginning of the second major story arc with the arrival of the head of the competing Southern inn Orio-ya, Ranmaru. We met some of the employees of this inn before in the last cour, but it is here that it is revealed that Ginji’s status as a Tenjin-ya employee is only temporary, and he called back to Orio-ya to complete a special “ceremony”. In an effort to prevent this from happening and convince him to come back, Aoi threatens Ranmaru and Ougon-douji and is promptly kidnapped and taken with them to Orio-ya where her struggles begin anew. Continue reading
Welcome back to another first impressions post. I didn’t get a chance to do one last season, mainly because there was really only one romance show that season worth talking about, Banana Fish. It seemed like a lot of other bloggers had that one covered so I figured I could skip the first impressions post. Well, this season has certainly made up for the lack last season in both quality and quantity this season. There are six romances I wanted to talk about this time, and a few that I didn’t include in the list below because they sat on the line between romance and something else without specifically being tagged as a romance. In particular: Jingo-san no Yome and As Miss Beelzebub Likes. Both I have found to be pretty entertaining and I encourage you to check them out, but I won’t be talking about them here as neither are fully romance and sit more in the moe or slice-of-life genre. Anyways, see below for some first impressions of six romance shows currently airing this season, and if you want to see what other shows I’m watching this season, feel free to check out my MAL account. Continue reading
No matter how much I grumble about the price of a volume of this manga (17 USD), I will always enjoy picking it up and reading on with the story. The price really is worth it. For a hardcover edition, larger pages, and great quality art, I really shouldn’t be grumbling too much. Not to mention that the series is finally getting an ebook edition that just might be cheaper, so if you like to read manga digitally more than in print, this is your chance to pick up one of my top 10 favorite mangas. Whenever I get around to reviewing my top 5 lists that I did a year or two ago, I might just add this one up there. You can feel the just vast amount of work and dedication Kaoru Mori put into this series through her intricately detailed art and in-depth historical knowledge of the setting and cultures she’s depicting. It creates this great cross-over of enjoyment for me between my history buff side and artistic side, providing a great well-rounded series I can really sink my teeth into.
The plot of each volume of A Bride’s Story follows one or two different potential brides through their lives and troubles as they try to find a marriage partner. For this volume we have Talas, a five-time widow who now lives alone with her mother on the land left to her by her husband’s family. The potential groom in this case is Mr. Smith as he continues on his journey back to England. At the start of the volume, we see him arrive at the meeting point where he is supposed to pick up his guide to Ankara, but due to some unforeseen circumstances (like his bags being stolen and his guide nowhere in sight), Mr. Smith is invited to stay with Talas and her mother until it is time for him to leave. Continue reading
Skip Beat never ceases to pull me back over and over again. It’s been awhile since we last took a deep dive into the manga, and I was definitely starting to feel that pull to read it again. Each time I pick up a volume I’m reminded why this series is on my top manga of all time list. One of the things I love so much about this series is how much time Yoshiki Nakamura takes to explore the backgrounds and weaknesses of each character, even the smaller ones. In these three volumes alone, we get an exploration of Ren’s big weakness in acting, the growth of Kyoko as an actor, the origins of the director’s mental illness, and a lot more. The romance is real in these volumes too with a some big revelations and explorations of what it means to fall in love with someone. Every volume feels like a journey where we get to see the characters grow and change fully, with us reading along every step of the way.
Volumes 10-12 continue where the story left off last time with one of the biggest and most important arcs for the series: the Dark Moon drama arc. Kyoko has been scouted for one of the most important roles in an upcoming remake of a popular drama. It’s not only a chance for her to have a big break, but also a chance to costar alongside Ren who will be playing the starring role. The only problem, the president of LME has recommended Ren turn down the role, citing a weakness in Ren’s ability to act in deep romance dramas. As Kyoko succeeds in creating her character of Mio that is sure to surpass the original, Ren struggles to understand what it means to love someone. Continue reading